It will be a pricewhereas exercise for any of us to sit down down and try to attract up an inventory of our 100 favourite paintings of all time. Naturally, these not professionalfessionally concerned with artwork history might have some trouble fairly hitting that number. Nonetheless, however many titles we will write down, every of us will little question give you a mixtureture of the near-universally recognized and the relatively obscure, with paintings we’ve been seeing reproduced in popular culture since start alongsideaspect works that made a robust and unexpected impression on us the one time we got here throughout them in a e book or gallery. The 100-favorite-paintings listing in video type above by Luiza Liz Bond isn’t any exception.
It’s possible you’ll recognize Bond’s identify from her work on the YouTube channel The Cinema Automotivetography, lots of whose movies — on David Lynch, on Quentin Tarantino, on animation, on cinematography, on the niceest movies ever made — we’ve previously featured right here on Open Culture. Currently rebranded as The Home of Tabula, that channel now makes its aesthetic and intellectual explorations into not simply movie however artwork broadly considered.
And although painting will not be the artwork type with which we spend most of our time lately, it’s nonetheless one of many first artwork varieties that involves our minds, perhaps due to its twenty or so millennia of history. It’s from a relatively narrow however enormously wealthy slice of that history, spanning the 4teenth century to the twentieth, that Bond makes her 100 selections.
Amongst them are various paintings that lengthytime Open Culture learners will remember us having covered earlier than: Botticelli’s The Beginning of Venus, Bosch’s The Garden of Earthly Delights, Michelangelo’s Sistine Chapel ceiling, Diego Velázquez’s Las Meninas, Fragonard’s The Swing, Goya’s The Canine, Manet’s Luncheon on the Grass, Sargent’s Automotivenation, Lily, Lily, Rose, van Gogh’s The Starry Night time, Klimt’s The Kiss, Matisse’s The Dance, Magritte’s The Lovers, Dalí’s The Persistence of Memory, Picasso’s Guernica, Wyeth’s Christina’s World, and Basquiat’s Untitled. These works and plenty of others constitute a journey via the “world of excessive symbolism and religiosity to a private area the place painters inform their personal stories via pictures on canvas,” as Bond places it. Wherever artwork’s subsequent main destination could also be, solely human creativity can take us there.
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Based mostly in Seoul, Colin Marshall writes and broadcasts on cities, language, and culture. His tasks embody the Substack newsletter Books on Cities and the e book The Statemuch less Metropolis: a Stroll via Twenty first-Century Los Angeles. Follow him on the social internetwork formerly referred to as Twitter at @colinmarshall.
